Sunday, 29 April 2012
Arakelyan's must reading this blog
In spite of writing to me this blog is of no interest for me why did he change
Arakelayns' Emma Trentini post
another great effort from
http://en.wikipedia.org/wiki/Emma_Trentini
chronological data from lavoceantica.it
Arakelyan's Giovanni Battista De Negri post
copied from
http://www.gramophone.net
chronological data from lavoceantica.it
http://www.gramophone.net
chronological data from lavoceantica.it
Arakelyan's Benvenuto Franci post
a Kutsch & Riemens job, of course chronological date from lavoceantica.it
Brava ragazza
Brava ragazza
Arakelyan's Elisa Tromben post
A few data from lavoceantica.it arranged to make you believe he knows something
Friday, 27 April 2012
Arakelyan's Traian Grozavescu
Arakelyan copied from an unnamed source that invented where he died. Arakelyan gets the book on Grozavescu
He even invented a new opera
Arakelyan's Mario Basiola post
copied from
http://www.answers.com/topic/mario-basiola
no chronological info, too bad Arakelyan does not own the Basiola book
http://www.answers.com/topic/mario-basiola
no chronological info, too bad Arakelyan does not own the Basiola book
Arakelyan's Maria Zamboni post
copied from
http://en.wikipedia.org/wiki/Maria_Zamboni
chronological info from lavoceantica.it with roles (Good boy Herr Ashot)
Heil unser Herr Ashot
http://en.wikipedia.org/wiki/Maria_Zamboni
chronological info from lavoceantica.it with roles (Good boy Herr Ashot)
Heil unser Herr Ashot
Wednesday, 25 April 2012
The latest emails of Arakelyan
hamletohamleto@gmail.com
igorigorev.igorev@yandex.ru
Arakelyan tried again to hack but he was turned back:):)
Povero stronza
igorigorev.igorev@yandex.ru
Arakelyan tried again to hack but he was turned back:):)
Povero stronza
Arakelyan's Hermann Winkelmann post
copied from
http://en.wikipedia.org/wiki/Hermann_Winkelmann
records stolen from Symposium, etc
http://en.wikipedia.org/wiki/Hermann_Winkelmann
records stolen from Symposium, etc
Arakelyan's Lamberto Bergamini post
copied from Kutsch & Riemens
chronological data from lavoceantica.it
sempre la merda
chronological data from lavoceantica.it
sempre la merda
Arakelyans's Francis Maclennan post
text copied from
http://bay-journal.com/bay/1he/writings/maclennan-francis.html
recordings stolen from Historical Tenors
http://bay-journal.com/bay/1he/writings/maclennan-francis.html
recordings stolen from Historical Tenors
Arakelyan's Paul Althouse post
top picture stolen from Historical Tenors
text copied from
http://en.wikipedia.org/wiki/Paul_Althouse
grande merda
Arakelyan's Eugenio Giraldoni post
short summary copied from Kutsch & Riemens
Chronological data from lavoceantica.it, he follows my recommendation about adding the role sung, but we are still waiting for the date and cast
Chronological data from lavoceantica.it, he follows my recommendation about adding the role sung, but we are still waiting for the date and cast
Arakelyan's Giovanni Manurita post
short summary copied from Kutsch & Riemens, including the debut error
Arakelyan you are a great researcher
Arakelyan you are a great researcher
Arakelyan's Ioakim Tartakov post
short summary copied from
http://slovari.yandex.ru/~%D0%BA%D0%BD%D0%B8%D0%B3%D0%B8/%D0%9E%D1%82%D0%B5%D1%87%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D1%8B%D0%B5%20%D0%BF%D0%B5%D0%B2%D1%86%D1%8B/%D0%A2%D0%B0%D1%80%D1%82%D0%B0%D0%BA%D0%BE%D0%B2%20%D0%98%D0%BE%D0%B0%D0%BA%D0%B8%D0%BC%20%D0%92%D0%B8%D0%BA%D1%82%D0%BE%D1%80%D0%BE%D0%B2%D0%B8%D1%87/
Tu sei un grande stronzo Arakelyan
http://slovari.yandex.ru/~%D0%BA%D0%BD%D0%B8%D0%B3%D0%B8/%D0%9E%D1%82%D0%B5%D1%87%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D1%8B%D0%B5%20%D0%BF%D0%B5%D0%B2%D1%86%D1%8B/%D0%A2%D0%B0%D1%80%D1%82%D0%B0%D0%BA%D0%BE%D0%B2%20%D0%98%D0%BE%D0%B0%D0%BA%D0%B8%D0%BC%20%D0%92%D0%B8%D0%BA%D1%82%D0%BE%D1%80%D0%BE%D0%B2%D0%B8%D1%87/
Tu sei un grande stronzo Arakelyan
Tuesday, 24 April 2012
Arakelyan's Angelo Minghetti post
copied from
http://listserv.bccls.org/cgi-bin/wa?A2=ind0312A&L=OPERA-L&P=244685
This is from Bob Rideout who was described by the researcher Tom Kaufman as a complete fake
sempre merda
Arakelyan's Gaston Micheletti post
picture stolen form Historical Tenors
text copied from http://www.gramophone.net
Sempre merda
text copied from http://www.gramophone.net
Sempre merda
Friday, 20 April 2012
Arakelyan is following the advice of this blog
We wrote Arakelyan was too lazy to post the role the singer sang in his stolen chronological data, now he is doing he is just missing the cast and date.
Arakelyan, la vera donna di Yerevan, sempre stupida
Arakelyan, la vera donna di Yerevan, sempre stupida
Arakelyan's Jesus De Gaviria post
all stolen from historical tenors including sound files
Heil unser Herr Ashot the man with no telephone
Arakelyan's Ulysses Lappas post
Again a Kutsch & Riemens job with chronological data from Historical Tenors
different tenor same crap
different tenor same crap
Arakelyan's Giacomo Lauri Volpi post
copied from
http://en.wikipedia.org/wiki/Giacomo_Lauri-Volpi
only to sell mp3s when there are plenty of CDs with Lauri Volpi
http://en.wikipedia.org/wiki/Giacomo_Lauri-Volpi
only to sell mp3s when there are plenty of CDs with Lauri Volpi
Arakelyan's Aureliano Pertile Post
copied from
http://en.wikipedia.org/wiki/Aureliano_Pertile
just sell records
http://en.wikipedia.org/wiki/Aureliano_Pertile
just sell records
Arakelyan's john O'Sullivan post
completely stolen from Historical Tenors, but with mistake:D
Since 1899 he studied at the Paris conservatory with Masson and others . In 1900 he made his debut as comprimario WHAT ROLEat the Opéra Populaire at the Théâtre de la République in G. Verdi’s ‘’Traviata’’. In 1908 he sang in R. Wagner’s ‘’Tannhauser’’ at the Lyric Theatre in London. Then he made guest appearances in Birmingham, Halifax, Liverpool, Glasgow, Edinburgh, Middlesborough, Hull, Bolton. In 1910 O’Sullivan made his french debut NOT POSSIBLE SINCE HE MADE HIS DEBUT IN FRANCE ACCORDING TO ARAKELYANat Toulouse in G. Verdi’s ‘’Rigoletto’’. In 1914 he made his debut at Paris Opera, this time appearing in E. Reyer’s ‘’Sigurd’’. NO KIDDINGCleofonte Campanini engaged him for the 1918-1919 season in Chicago. After a successful ‘Gli Ugonotti’’ in Rouen in 1918 he sailed to America for the second time. In the same year in Chicago he performed as Arnoldo in G. Rossini’s ‘’Guglielmo Tell’’ with great success. In 1920 O’Sullivan appeared for the first time in Bordeaux ANOTHER FUNNYat the Grand Théâtre in ‘’Gli Ugonotti’’. He started his italian career in 1922 appearing for the firs time at the Teatro Lirico in Milan
What about the rest of his career
Arakelyan cannot even copy properly
ALSO SELLING MP3s FROM SYMPOSIUM RECORDS
ARAKELYAN LA MERDA DI YEREVAN
Since 1899 he studied at the Paris conservatory with Masson and others . In 1900 he made his debut as comprimario WHAT ROLEat the Opéra Populaire at the Théâtre de la République in G. Verdi’s ‘’Traviata’’. In 1908 he sang in R. Wagner’s ‘’Tannhauser’’ at the Lyric Theatre in London. Then he made guest appearances in Birmingham, Halifax, Liverpool, Glasgow, Edinburgh, Middlesborough, Hull, Bolton. In 1910 O’Sullivan made his french debut NOT POSSIBLE SINCE HE MADE HIS DEBUT IN FRANCE ACCORDING TO ARAKELYANat Toulouse in G. Verdi’s ‘’Rigoletto’’. In 1914 he made his debut at Paris Opera, this time appearing in E. Reyer’s ‘’Sigurd’’. NO KIDDINGCleofonte Campanini engaged him for the 1918-1919 season in Chicago. After a successful ‘Gli Ugonotti’’ in Rouen in 1918 he sailed to America for the second time. In the same year in Chicago he performed as Arnoldo in G. Rossini’s ‘’Guglielmo Tell’’ with great success. In 1920 O’Sullivan appeared for the first time in Bordeaux ANOTHER FUNNYat the Grand Théâtre in ‘’Gli Ugonotti’’. He started his italian career in 1922 appearing for the firs time at the Teatro Lirico in Milan
What about the rest of his career
Arakelyan cannot even copy properly
ALSO SELLING MP3s FROM SYMPOSIUM RECORDS
ARAKELYAN LA MERDA DI YEREVAN
Arakelyan's Alessandro Wesselowsky post update update
the fool tells us that
In 1925 Wesselowsky went to Italy to study. In the same year, by the invitation of Arturo Toscanini, he made his debut at La Scala, Milan
Not in 1925 cretino
He sang at La Scala up to 1950 VERY INTERMITTENTLY appearing in ‘’Prince Igor’’, ‘’Khovanshina’’, ’’Manon Lescaut’’, ‘’Fedora’’, ‘’Traviata’’, ‘’Lohengrin’’ etc.No Kidding Lohengrin, Manon Lescaut, Fedora, Traviata, Prince Igor What are th dates Arakelyan?
Wesselowsky also made guest appearances in Paris (Grand Opera 1926?????, 1938). He sang with success in different italian opera houses. Performed in many opera premieres at La Scala ("Il Dibuk", ‘’Nerone’ In a small role ’, "La Flamma").
A real nice post:) but not as funny as Gautier and Marechal
In 1925 Wesselowsky went to Italy to study. In the same year, by the invitation of Arturo Toscanini, he made his debut at La Scala, Milan
Not in 1925 cretino
He sang at La Scala up to 1950 VERY INTERMITTENTLY appearing in ‘’Prince Igor’’, ‘’Khovanshina’’, ’’Manon Lescaut’’, ‘’Fedora’’, ‘’Traviata’’, ‘’Lohengrin’’ etc.No Kidding Lohengrin, Manon Lescaut, Fedora, Traviata, Prince Igor What are th dates Arakelyan?
Wesselowsky also made guest appearances in Paris (Grand Opera 1926?????, 1938). He sang with success in different italian opera houses. Performed in many opera premieres at La Scala ("Il Dibuk", ‘’Nerone’ In a small role ’, "La Flamma").
A real nice post:) but not as funny as Gautier and Marechal
Thursday, 19 April 2012
Arakelyan's Alessandro Wesselowsky post update
He could not have sung Khovanshina’ in 1925 because it was not given.
Wednesday, 18 April 2012
Arakelyan's Alessandro Wesselowsky post
Copied without acknowledgement from
http://slovari.yandex.ru/~%D0%BA%D0%BD%D0%B8%D0%B3%D0%B8/%D0%9E%D1%82%D0%B5%D1%87%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D1%8B%D0%B5%20%D0%BF%D0%B5%D0%B2%D1%86%D1%8B/%D0%92%D0%B5%D1%81%D0%B5%D0%BB%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9%20%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B0%D0%BD%D0%B4%D1%80%20%D0%9D%D0%B8%D0%BA%D0%BE%D0%BB%D0%B0%D0%B5%D0%B2%D0%B8%D1%87/
Arakelyan even includes the errors as he does not know anything
Arakelyan never sang at the Opera Comique and did not sing at the Opera in 1926
All that is available on the net Arakelyan the dickweed of the Operatic world with Igor
All that is available on the net Arakelyan the dickweed of the Operatic world with Igor
All chronological information stolen from lavoceantica.it
He is too lazy to put date and cast
The name of the singer is
Веселовский Александр Николаевич
so the true name is
|
Veselovsky Alexander
so Wesselowsky is just a westernized version. Arakelyan you
should know that.
Arakelyan to sei la merda di Yerevan
|
Arakelyan tells us he does not copy from la voce antica
Funny he posts a link to it. We know you steal from this site and never acknowledged your sources
Schweinhund
Schweinhund
Arakelyan's Joseph Hislop post
copied from
http://en.wikipedia.org/wiki/Joseph_Hislop
only to sell records no added research
Arakelyan il stronzo di Yeravan
http://en.wikipedia.org/wiki/Joseph_Hislop
only to sell records no added research
Arakelyan il stronzo di Yeravan
A complaint against Arakelyan
Giovanni Christen who was insulted by Arakelyan during exchanging (the email from Arakelyan to Giovanni Christen was posted here) tried to call him in Armenia to discuss this matter as Arakelyan posted his phone number. Giovanni informed me that number is not connected. Arakelyan what are you doing?
Besides Arakelayn Philip Hatzissimou, are they others
Yes! Another two persons to watch in that environment are Steve Slezak and Andrey Naydenov.
Tuesday, 17 April 2012
Monday, 16 April 2012
More funnies
Arakelyan gives us more funnies like the Gautier and Marechal posts
Heil unser Herr Ashot
Heil unser Herr Ashot
Arakelyan's Renato Zanelli post
A short summary from Historical Tenors
All chronological data stolen from Historical Tenors
Bravo merda di YErevan
All chronological data stolen from Historical Tenors
Bravo merda di YErevan
Arakelyan's Alice Verlet post
copied from
http://en.wikipedia.org/wiki/Alice_Verlet
He does not even know which other nameshe used to record
Arakelyan la merda di Armenia
http://en.wikipedia.org/wiki/Alice_Verlet
He does not even know which other nameshe used to record
Arakelyan la merda di Armenia
Arakelyan is not the only one
Arakelyan is not the only one selling what he gets for free, Philip Hatzissimou, from Greece, is doing the same thing. His tactic, use a very important list of somebody else, pretend it is his and when an exchange is agreed upon he asks the owner for the items
Sunday, 15 April 2012
Arakelyan is honoring his readers
What an honor Arakelyan is publishing his full address
Ashot Arakelyan, Armenia. Erevan, Street Tamanyan 2, Apartment 20, Postal code 0009, Tel: +37410 56 80 48 stampanoni@rambler.ru
so we can write, call or email him to display our approval
Ashot Arakelyan, Armenia. Erevan, Street Tamanyan 2, Apartment 20, Postal code 0009, Tel: +37410 56 80 48 stampanoni@rambler.ru
so we can write, call or email him to display our approval
For He's a Jolly Good Crook
Friday, 13 April 2012
Arakelyan's Tino Folgar post
copied word fro word from
http://en.wikipedia.org/wiki/Tino_Folgar
article vastly inferior to the Folgar page on Historical Tenors
http://en.wikipedia.org/wiki/Tino_Folgar
article vastly inferior to the Folgar page on Historical Tenors
Arakleyan's Otokar Marak post
Copied form Kutsch & Riemens
Marak was not engaged in 1903 at the Hofpoper and never sang at the Opera in Paris
Marak was not engaged in 1903 at the Hofpoper and never sang at the Opera in Paris
Arakelyan's Frank Mulllings post
Arakelyan must get desperate publish something on Mullings, a third rate
All copied from
http://en.wikipedia.org/wiki/Frank_Mulling
All copied from
http://en.wikipedia.org/wiki/Frank_Mulling
Thursday, 12 April 2012
Arakelyan does not like negative comments
So what does he do? He has to approve every comments so that we think that everybody loves him like Raymond or Gerhard Santos
Tuesday, 10 April 2012
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